Canon Rangefinder 50mm f/1.2 LTM description: Introduced in 1956 by Canon, the 50mm f/1.2 lens was the fastest mass market lens available in Leica Thread Mount (LTM) at that time. Canon advertised that the lens 'incorporates rare-glass elements, permitting its aberration-free performance at all stops.' There are two versions of the 50mm f/1.2 lens, with the difference being merely cosmetic - the first version has 'CANON CAMERA CO.
- Canon Rangefinder Camera Serial Numbers List
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- Canon Rangefinder Cameras Serial Numbers
Serial Numbers: Although I mention serial number ranges for various cameras I don’t rely on them. Canon was not meticulous in assigning ranges to various models. If you find your camera falls outside the ranges given, do more research. You may have a significant variation. Canon M39 Rangefinder Lenses 1939-1971. A Collector's Guide. Published by Peter Kitchingman. Perth, Australia. ISBN 978-0-646-48144-9. Peter Kitchingman's book is the definitive study of the more than three decades of M39 format camera lenses developed for Canon Rangefinder Cameras. 3 Nostalgic Canon Camera Book. Canon Rangefinder Camera Serial Numbers 602649 From 1946; Canon Digital Rangefinder Camera; Canon Body Serial Numbers; Canon Rangefinder 50mm f/1.2 LTM description: Introduced in 1956 by Canon, the 50mm f/1.2 lens was the fastest mass market lens available in Leica Thread Mount (LTM) at that time. Single Lens Reflex serial numbers are not terribly important to the collector because the cameras all had name designations right on the body: F-1, FT, Rebel and so on. But with the early rangefinder cameras this is not the case. For two decades Canon produced cameras that were superficially identical although they were evolving internally. Drooling over a Canon rangefinder. By Thomas Maupin. Drooling over a. Canon IV cameras aren't. If the serial numbers on the cameras are indicative of. I found your website and description of the Canon Rangefinder. Find great deals on eBay for rangefinder serial numbers. 【MINT in Case】 Canon 7S Rangefinder Film Camera, 50mm f/1.2 Lens from.
Canon Digital Rangefinder Camera
Japan' imprinted around the rim, while version two has 'CANON CAMERA CO., Inc. LENS MADE IN JAPAN' imprinted. According to Canon collector Peter Kitchingman's site www.canonrangefinder.com and his recent book, version one was produced from 1956-1960, while version two was produced 1961-1967. Peter has confirmed that 43,675 of the 50mm f/1.2 lenses were produced - with about 24,000 being of version one and the remaining being of version two. Serial numbers run from 10050 to 56440, again according to Kitchingman. Version one came with a 57mm satin chrome lens cap and a 40mm satin chrome rear cap, while version two came with a 57mm black plastic lens cap and a 40mm black plastic rear cap.
While the 50mm f/1.2 lens had a standard black and satin chrome finish, a small amount of 'black' versions of this lens were produced as an option for purchasers of the 'all-black' Canon Rangefinder camera bodies. The aperture ring and distance scale was finished in black rather than the normal chrome finish. Scroll down the page for an image of this variant. You can read more about the 'black' version here: This lens has some unique crazy swirly bokeh that is somewhat similar to the canon 50/0.95 aka the 'dream lens.' This is because the formulation of this lens is exactly the same as the 50/0.95 except with smaller glass elements making it a f1.2 instead of the 0.95 huge light gatherer. Helicoid adapter reduces minimum focus distance by about 50% minimum focus distance (stock): 45 inches country of origin: Japan year of manufacture: 1956 minimum focus distance as adapted: 23.6 inches lens mount: L39 front filter size: 55mm mounted front filter: serial number: 23077 estimated value: $650 usd date added: February 09, 2014 status: active mounted adapter(s): mounted hood(s): mountable on camera(s).
Canon Camera Serial Number Lookup
Condition I bought this lens off ebay from Photo Village in NYC. My lens is marked 'CANON CAMERA CO. Which mean this the 1st version of the lens produced from 1956-1960.
It is also marked with an ' ' ('Exchange Post') which means it was for sale at US Military bases in Japan. Supposedly, this makes the lens more collectible. ' wasn't mentioned in the listing and I didn't even notice until I got the lens and looked it over. The lens body is super clean however the aperture was oily and there was some very light haze in the rear element. I'm guessing that this lens was stored away and not used much in it's life.
Physically it looks as brand new as a 60 year old lens can. Originally Posted By leemik 4/22/2014 - CLA'ed (overhauled) by Youxin Ye. He disassembled the aperture and cleaned each blade and then cleaned each lens element.
The lens is now as good as it was when it was new. Eventually all the old Canon LTM lenses will suffer this fate because the grease will break down after 50+ years. If your aperture is oily, it's better to get it CLA'ed before the grease fouls the rear element (which is common in this lens). If you want to DIY, here's a tutorial on how to open and clean the Canon 50/1.2 LTM Internals dust: a few specks haze: none fungus: none separation: none scratches: none aperture: clean Body focus feel:normal aperture feel: normal with clicks scratches and dings: none tarnish/wear: some very slight wear upon close inspection other: non-destructively disabled infinity lock. Originally Posted By leemik 4/4/2015 - Disabled the infinity lock by simply wedging a piece of match stick under the tab to keep it up all the time.
A completely non-destructive and reversable mod that improves the experience of using this lens. Look and Feel The lens looks great and feels well balanced on my mirrorless cameras.
Ppct handcuffing technique manual. I've read some reviews where someone said it was big and clumsy. Well, I guess they've never touched an SLR lens in their life? LOL I think it size is fine.it's just the infinity lock I have a problem with and I defeated that. The focus ring is about a 180 degree turn from MFD to infinity with just the right amount of feel and the aperture ring turns smoothly with slight clicks at every f-stop. Optical Performance This lens gets a lot of bad press but I think it's is a good performer.
Wide open there is a sort of glow to the image like all super fast lenses but stopped down to f2-2.8 the glow goes away. This lens is fairly sharp wide open and even sharper stopped down. The sharpness wide open surprised me as others have reported it to be somewhat soft and dreamy wide open. Perhaps I got a really good copy? Colors are punchy and excellent as all Canon lenses ever made it seems. Especially reds. Contrast is average but all lenses this age don't have the most advanced coatings.
According to the Peter Dechert's (1985) Canon Rangefinder Cameras, 87,875 Canon P's were made. This makes them one of the more common rangefinder models, however there has been a recent renaissance in their popularity with the Leica screw-mount crowd, so their prices has skyrocketed.
I think the lens hood helps improve the contrast a bit.and in this day and age of course all you have to do is boost the contrast in Photoshop. The bokeh is swirly and nervous and can also get 'bubbly' at times. It definitely has a lot of character.
Some people might call it bad bokeh but I love it and try to use the lens at wide open as much as possible. The A7R has a ridiculous max shutter speed of 1/8000 sec so you may just get away with shooting on a somewhat sunny day at f1.2 without any filters. One of the annoying things about this lens is the really long minimum focus distance. The helicoid adapter does help a lot though. Accessories The lens came with the original black metal 'Canon' cap and rear L39 plastic cap.
I'm not sure the front cap is original because I read that the first edition 50/1.2 LTM lenses came with a silver metal Canon cap and the black metal cap was for the later lenses. I managed to find a rare original Canon 50/1.2 lens hood and brown leather case on KEH in excellent condition. They also had an old school Canon 55mm UV filter so what the heck, I bought that too =) Verdict I really like this lens! It has a lot of that vintage charm and produces some pretty good pictures as well. I dislike the infinity lock however and I'm so glad I found an easy way to disable it without doing any damage to the lens. One other thing I don't like is the reaaaally long MFD, even with the helicoid adapter it's still pretty long.
If you can't afford the and want a bit of that charm this lens is a must buy. The Canon LTM lenses are a bargain relative to Leica prices. Flick r groups My Sample Pics Sony A7R.a lot of these were shot wide open. PP involved contrast boost and resize by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr.
Expire: 2014-12-26 Posted: Tue Sep 30, 2014 5:54 pm Post subject: kuuan wrote: congrats for this lens! I have no idea about the serial numbers or for how many years this lens had been produced, but at the 'Canon Cameramuseum', great source of anything Canon, it says that it was first marketed in 1956: my photos on flickr: list of lenses for sale on flickr profile Lightshow Joined: 04 Nov 2011 Posts: 2770 Location: Calgary Posted: Tue Sep 30, 2014 6:07 pm Post subject: Lightshow wrote: Production started in 1956 Quote: There are two versions of the 50mm f/1.2 lens, with the difference being merely cosmetic - the first version has 'CANON CAMERA CO. Japan' imprinted around the rim, while version two has 'CANON CAMERA CO., Inc. LENS MADE IN JAPAN' imprinted.
According to Canon collector Peter Kitchingman's site and his recent book, version one was produced from 1956-1960, while version two was produced 1961-1967. Peter has confirmed that 43,675 of the 50mm f/1.2 lenses were produced - with about 24,000 being of version one and the remaining being of version two. Serial numbers run from 10050 to 56440, again according to Kitchingman. Version one came with a 57mm satin chrome lens cap and a 40mm satin chrome rear cap, while version two came with a 57mm black plastic lens cap and a 40mm black plastic rear cap. I have the second version. A Manual Focus Junky.
One photographers junk lens is an artists favorite tool. Wolfhansen Joined: 06 Oct 2013 Posts: 330 Location: Germany, Ruhr Area Posted: Tue Sep 30, 2014 6:12 pm Post subject: wolfhansen wrote: Thanks guys - so i have the first version. Greets Wolfgang Display posts from previous.
1955-1969
Diversification in Development and Production
Canon Rangefinder Camera Serial Numbers List
The top-class 35mm camera market gradually shifted from rangefinder cameras to single lens reflex (SLR) cameras. Canon launched its first SLR camera, “Canon Flex.” The lenses for SLR cameras advanced from the “R” series to the “FL” series. At the same time, the company also developed lens-shutter cameras and 8mm cinecameras in line with the policy to be a comprehensive camera manufacturer offering various types of products.
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End of the 35mm Rangefinder Camera Era
The “VT” camera, introduced in August 1956, discarded the conventional film loading method, in which the film cassette was dropped into the bottom after removing the baseplate (Barnack type), and instead adopted the simpler method using a hinged back cover and threading the film onto the take-up spool. The “T” in the “VT” refers to the “trigger” because the camera incorporated the film advance mechanism with a fast-winding trigger on the camera bottom to improve the shooting speed.
The “P (Populaire)” model was released in l959, which was followed by the introduction of the “7” model in March l961 and the “7S” model in April 1965. The “7” series, which had a built-in exposure meter and were impressive in appearance, were well liked by their users. At the time, the era of the 35mm rangefinder cameras was already giving way to that of the SLR. With the interruption of the production of the “7S” in September l968, the tradition of the Canon 35mm rangefinder camera, which started with the introduction of the “Kwanon,” came to an end.
Development History of the 35mm Lens-Shutter Camera
The first domestic shipment of “Canonet” cameras leave the Shimomaruko plant
The development of the high-grade 35mm camera had been the great milestone constituting Canon’s mission. Yet during the same period, there was an effort to produce a simpler camera that could be used by anybody. That would be the development of the 35mm lens-shutter camera.
It all begun in 1958 when there were heated discussions within Canon as to whether the company should take the route confined to the manufacturing of high-end cameras or whether it should also enter the market for the intermediate-class cameras. Gradually, the voices of young engineers expressing the opinion “we want to make cameras we can afford” gained strength. This resulted in a tentative decision to produce a prototype of an intermediate-class camera before the company’s overall policy guidelines could be developed. With this background, the development of the 35mm lens-shutter camera started. This camera was the “Canonet,” which swept the entire camera market with the slogan “anyone can buy it and anyone can take pictures with it.”
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“Canonet” display and sales counter on the 7th floor of Mitsukoshi Department Store
Although the plan was to market the “Canonet” camera in August l960, its debut was delayed until January l961 because of strong criticism from the competitors complaining that the price of under 20,000 yen was too low to compete with. When the camera was introduced for the first time at the display and sales counter on the 7th floor of Mitsukoshi department store in Nihonbashi, Tokyo, the number of people interested in seeing the camera was so great that they overflowed onto the staircases. The total inventory for one week was gone within 2 hours after the sales counter opened. Its sales were so astronomical and its customer acceptance so overwhelming that the February 6, 1961 issue of Shukan Bunshun (a popular weekly magazine) covered the sensation in the article entitled “Go To Hell!! Canonet.”
Cover of “Color Demi” brochure
While the boom sparked by the “Canonet” had not quite cooled off yet, the “Canon Demi” camera was introduced in February 1963. It was a compact and lightweight half-frame, or single-frame, camera that permitted twice as many pictures per film. This camera was also a hit with its catch phrase “let’s draw our ‘Demi’ from our pocket.” Also released in October of the same year was the “Color Demi,” which was popular among users because it was available in three different colors: red, blue and white. With the debut of the “Demi” series, the variety of the lens-shutter cameras increased. The important thing was that the technologies acquired during the development of these 35mm lens-shutter cameras were fully fed back into the products that followed. https://the-art-of-war-sun-tzu-bahasa-indonesia-pdf5.peatix.com.
Entering the 8mm Film Cinecamera Field
Canon’s first 8mm film cinecamera the “Canon Cine 8T,” was introduced in November l956. The development of the cinecamera began in 1955 based on the knowledge acquired during the 1953 observation tour by President Mitarai to the United States and Europe to survey the camera markets in these countries. During this tour, Mitarai discovered that the “Kodak Brownie,” an 8mm film cinecamera of the Eastman Kodak was enjoying great popularity.
Canon obtained some used cinecameras left behind by the Allied Occupation Forces as well as the products of leading cinecamera manufacturers abroad and studied the film drive and exposure mechanisms through repeated disassembly and testing. Special emphasis was placed on the viewfinder technology. Since the 8mm film cinecamera was required to reproduce the image of subject in the exactly same format as shown in the viewfinder, it was necessary to use the “Porro prism” system, in which two or three right angle prisms were combined with the variable magnification viewfinder mechanism of the “IV Sb.” With this innovation, Canon succeeded in developing a revolutionary viewfinder that was bright and clear, and produced a real image.
“Canon Reflex Zoom 8″ with the built-in high-quality “10-40mm f/1.4″zoom lens
On the other hand, concurrently with the development of the viewfinder, Canon’s lens department was working on improving the zoom lens. The history of Canon’s zoom lens goes back to 1954.
Canon succeeded in developing a high-performance 8mm film cinecamera zoom lens, the “10-40mm f/1.8″ with the magnification factor of 4, but it was never marketed because of its large size. Yet, being accelerated by the successful development of the large aperture zoom lens, Canon marketed the “Canon Reflex Zoom 8″ in October l954, in a short development period and at low cost. The quick and low cost development was achieved through enlarging the aperture of the “10-40mm f/1.8″ to make the “10-40mm f/1.4″ and fitting it to the “Canon Cine 8T.”
8mm Film Cinecamera with Zoom Lens and New Film Standards
“Cinezoom 512,” masterpiece cinecamera employing 16 mm cinecamera’s drive system H40 parts manual.
“Autozoom 1218 Super” with an extremely powerful built-in 12X zoom lens, compatible with Super 8 system
Canon continued to improve the 8mm film cinecamera, aiming to adopt the advanced specifications and functions available in the 16mm film cinecameras. In June l964, the company released the “Canon Cine Zoom 512,” which was equipped with a bright f/1.2 zoom lens of with the magnification of 5X, as well as a spring drive mechanism, which had been the popular in 16mm film cinecameras. The “Canon Cine Zoom 512″ was cherished for a long time by users who enjoyed making home movies, and fully deserved being called a masterpiece.
Eastman Kodak introduced the “Super 8″ system in April l964, while Fuji Photo Film concurrently introduced the “Single 8″ system. In order to meet the users’ needs, Canon developed two types of cinecameras compatible with each film standard. One, the “Auto Zoom 1218 Super 8,” which was marketed in April 1968 for the “Super 8″ system, was widely accepted and had a good reputation because of its high 12X zoom magnification.
The Next High-End 35mm Cameras are SLRs
“Canonflex,” Canon’s first SLR camera
R-series lenses simultaneously developed with the SLR cameras
The “Canonflex,” the first 35mm SLR camera from Canon was introduced in May l959. In June of the same year, Nikon released the “Nikon F.” Although the principle of the SLR camera had been known as long ago as the camera, technological problems had been left unsolved for many years in the area of making the camera as light and easy-to-use as the rangefinder camera. With several technical innovations including the pentaprism, the quick return mirror, and the automatic aperture control mechanism, the time had finally arrived for a practical 35mm SLR camera for all types of interchangeable lenses.
Canon developed the R-series lens for the SLR cameras. The cameras using the R series lens were called the R-series cameras. Following the “Canonflex,” the “R2000″ with a top shutter speed of 1/2000 second, the fastest ever for any camera, was introduced in 1960. The “R2000″ evolved into the “Canonflex RM,” which was released in 1962. The “Canonflex RM” had a built-in exposure meter for the first time, and adopted the film advance system with a recessed lever instead of a trigger. The lever improved the operability.
“Canonflex” and R-Series Lens
Several new technical innovations were employed in the “Canonflex,” including an interchangeable pentaprism viewfinder, a completely automated aperture control system, and an externally coupled selenium exposure meter. The bright R-series lens included lens having the focal lengths from 35 to 135mm. They were equipped with a fully automated aperture control system called “Super Canomatic.” This aperture control mechanism coupled to the main camera body played an important role to connect the camera main body with the lens, and accelerated the development of the FL-series lens and FD-series lens. The “Canonflex” lens mount used a system called the “breach lock mount,” replacing the conventional screw system. Berger seeing is believing pdf to jpg. Since the “breach lock mount” method prevented mount wear caused by the direct rubbing between the camera body and the lens, the optical accuracy of the camera increased. The R-series lineup had about 16 different lenses such as the retrofocus wide angle lens, “R35mm f/2.5,” the bright standard lens, “R58mm f/1.2,” and the supertelephoto lens, “R1000mm f/11.” Included among these lenses was the “R55-135mm f/3.5″ zoom lens, which was Canon’s first zoom lens for still cameras.
Canon during the Dawn of the SLR Camera Era
Concurrently with the debut of the FL-series lens that replaced the R-series lens in April l964, the “FX” camera was released. The FL lenses and the “FX” camera comprised a new system configuration designed to achieve smooth coupling between the camera body and the lens.
In the 1960s, the Through the Lens (TTL) metering system was identified as the challenge for the SLR cameras. TTL metering determines the optimal exposure for the amount of light transmitted through the shooting lens, which is possible because of the unique characteristics of the SLR camera. The advantage of this method was that it permitted measuring only the light in the field of the lens. It was natural for the camera user to have great expectations for this convenient TTL metering. In order to respond to the customers expectations, Canon introduced the “Pellix” in 1965 and the “FT QL” in 1966. Sig sauer serial number decoder. Both cameras featured partial-area TTL metering SLR.
Development of FL-Series Lens
Although the R-series lenses had excellent characteristics, they had several problems in terms of manufacturing costs and future technical developments, all of which required drastic change. The FL-series was developed to overcome this situation. It was known that fluorite used in the supertelephoto lens would be effective in reducing secondary chromatic aberrations. Yet, the fluorite crystals were too small for practical applications. Canon found the solution by growing artificial fluorite crystals and introduced the “FL300mm f/5.6″ and “FL500mm f/5.6″ lenses in 1969, both of which used the artificial fluorite crystals.
Time of Changes in Film Standards
The domestic film industries that had been undergoing steady growth during the 1960s were suddenly confronted with abrupt changes in film standards. The new film standards were the Instamatic System 126 of Eastman Kodak of the U.S.A. and the Rapid System of the Agfa of West Germany. Canon developed the “Canomatic C30″ and the “Demi Rapid” to these film standards. Since the loading methods for these films were not compatible with that for SLR cameras, the development of specialty cameras for these film standards was limited to lens-shutter cameras only. Canon developed its own QL (quick loading) system for loading normal 35mm films and introduced it in the “FT QL” SLR camera.
Canon Rangefinder Camera Serial Numbers Number
Birth of Canon Inc. for Further Growth
At the beginning of the 30th anniversary year, 1967, President Mitarai delivered the following New Year ‘s Address: https://coolwfil605.weebly.com/myriad-alien-dalvik-20-for-ipad.html.
Canon Rangefinder Camera Serial Numbers For Free
“To create the foundations for our company’s prosperity this year, we must hold cameras in our right hand and business machines and special optical equipment in our left. At the same time, we must substantially boost our exports.”
These words became the slogan of the company from that time on. In fact, in 1960 Canon started entering the fields of electronic calculators and copying machines under a long-term business plan. The sales of business machines and special optical equipment were rapidly increasing. The time had arrived when the company had to shed the image that it was just a producer of cameras.
Canon Rangefinder Cameras Serial Numbers
In order to achieve a great leap forward as a comprehensive manufacturer of imaging and information processing equipment including cameras and business machines, the name of the company was changed to Canon Inc. on March 1, 1969. The catch phrase used in advertising at that time was “Light and Electrons, Connection to the Future.” The ad copy indicated the roads taken by Canon in the past, hinting at the roads to be taken in the future, and said Canon was ready to enter a new world.